Lemmy

It’s been 10 years now since Lemmy died. Yet the man was such a legend in the world of rock that it’s almost as if he is still around. There are so many stories people tell, his music is still relevant, and it may also have something to do with his life philosophy. In his own words: “If you’re going to be a fucking rock star, go be one. People don’t want to see the guy next door on stage; they want to see a being from another planet.” He was that being from another planet.

Anyway, here is what I had to say at the time.

On February 18th, 1991, I had the privilege of seeing Motorhead live, at the Portsmouth Guildhall, on the ‘1916’ tour. Back then, at most rock gigs there was a crush against the barrier, a mosh pit, people jumping and then the static part where people just stood, tapped their feet or banged their heads.

But not at Motorhead.

At Motorhead, nobody stood still. There was no room for a mosh pit because the sea of people ebbed and flowed in great surges, moving as one. The crowd reflected Lemmy and his music; all or nothing, relentless, unforgiving – but together. It was an amazing and strangely moving night that I will never forget.

There was always something about Lemmy. From the position of his microphone to the way he wore his hat. Maybe it was the facial hair, or the gravelly voice, or maybe just the way he dressed – there was something cool, yet somehow unrelenting about the man. You could see it when he was on stage; you could see it from brooding looks in the pages of magazines and you could even see it on film with his cameo in ‘Hardware’.

Lemmy commanded respect, end of story.

R.I.P

Women in Uniform

Back in the 1980s when I was a mere wannabe metal head, visits to my Dad would sometimes involve hanging out with Tony O’Rourke. The O’Rourke, as he was known, was a bit of an old hippy. A middle aged guy, married but no kids, his interests were basically going to the pub and messing about with music – buying it, listening to it, cataloguing it, making mix tapes of it – his spare bedroom was any vinyl freak’s dream. He’d turned it into a kind of studio with rows of records and tapes-this was still before CDs had really taken off-and all kinds of equipment. He introduced me to these wonderful WH Smith inlays for mix tapes and the like and even made me a tape introducing me to the Eagles (see below).Β 

Anyway, O’Rourke loved his music – country rock, Americana, rock ‘n roll, blues etc. He particularly loved Clapton (he looked a bit like 70s Eric), could talk for hours about Van the Man (took me a while longer to work out who that was), and had an encyclopedic knowledge of the world of rock n roll. He was a nice guy and always good for a chat with a music obessessive like myself. So, when a friend of his passed on a box of old seven inch singles that was being thrown out of the ITV television studios in Southampton, he promptly spotted a hidden gem and passed it on to me.Β 

A mint condition, never-been-played copy of Women In Uniform, the third single by Iron Maiden, complete with Margaret Thatcher dressed as a soldier waiting to exact revenge on Eddie the Head for her killing on the cover of previous single Sanctuary. Or was it jealousy of Eddie’s company? I didn’t even know it existed.Β Now though, I actually have two versions, as I later stumbled across the 12″, which came with a cracking live version of Phantom of the Opera (Paul Di’Anno on vocals of course). It is nowhere near mint condition but a cool addition to my collection nonetheless.

Women in Uniform is actually a cover version of a song by Australian band Skyhooks that Maiden got sort of duped into doing by producer Tony Platt and Zomba, their publishing company, who wanted a hit single. There were some shenanigans over the mix involving then guitarist Dennis Stratton, and the song even spawned their first music video. However, the band have basically distanced themselves from the track and haven’t even bothered to have it remastered. In fact the whole soap opera surrounding the song left Steve Harris quite bitter, and he vowed to never let anyone on the outside “fuck around with our music again”. Nevertheless, regardless of its merits,  it is certainly a bit of a rarity, especially in such good condition, and worth it for the cover art alone. 

Isn’t it funny how life’s rich tapestry causes paths to cross and chains of events to happen. I’ll always be thankful to Tony O’Rourke for the wonderful gift and great memories. Thanks you “Olde Hipee” – Rest in Peace.

Scott Weiland

It’s been ten years since Scott Weiland passed away; here’s what I had to say about it:

Scott Weiland


I used to have a friend called ‘Ewok’, I no longer remember his real name, if I ever actually knew it, but I, and well, pretty much everyone, knew him as such – he really, and I mean really looked like an Ewok! Anyway, I’d dropped round his house one day and he would not shut the fuck up about the new Stone Temple Pilots album, ‘Purple`. I knew about STP but had never given them much love; I’d been into grunge since the ground floor – having seen Alice in Chains back when they supported Megadeth; Pearl Jam‘s first UK appearance; Nirvana at Reading? Yep. I was there. So for me STP were imposters riding the wave, a kinda commercial grunge lite.

Then I heard ‘Purple’.

Damn, what a fine album that was and still is – it stands the test of time, every track a killer. Then I got hold of a twelve inch single of ‘Plush’ one day when I was out hunting vinyl. When I flipped it over to play the b-side – unplugged versions of ‘Plush’ and ‘Sex Type Thing’ – I had one of those beautiful music moments when you uncover a real treasure.

I’d like to say I went on to become a mega Stone Temple Pilots fan and that Velvet Revolver were a dream come true, but I didn’t and they weren’t. I don’t really know why, I guess there was just too much else going on and maybe VR just didn’t have the songs, whatever, it doesn’t really matter.

A man has died. A talented man with rock star charisma and one of the most incredible voices in rock. I cannot and will not pass judgement on the man, just as I won’t put him up as a hero. What I will do is give thanks for the incredible pieces of music that affected me so profoundly all those years ago and that are still a part of my life until today. Now, I guess I’ll go find that MTV Unplugged set in full on YouTube.

R.I.P Scott Weiland

My Ruin: The Audacity

Check out My Ruin‘s The Audacity, the pulsating new single from the upcoming album Declaration of Resistance. Tairrie B and husband Mick Murphy are rocking hard on this “unapologetic call to action for women who refuse to be silenced.” Tairrie combines spoken word with her visceral metal scream to confront the “entrenched ageism, sexism, and the double standards still weaponized against women in music, politics and culture“; while Mick creates a slow burning rhythm (playing all the instruments!) to offset his blazing guitar lines. This is protest music at its finest, resisting the prevalent facist agenda dominating American politics with a defiant, rock hard slap in the face for those with no respect for gender, race or age.

Declaration of Resistance drops in January. In the meantime, check out My Ruin’s Bandcamp page for downloads & streams: https://myruin.bandcamp.com