Check it Out – February/March 2017

Although life in Brazil tends not to get going until after carnival, which was later than usual this year, I have actually been insanely busy since the start of the year – hence the lack of recommended listening of late. However, in the interest of redressing that balance here are a few recommendations from the thriving British alternative scene. There are so many bands making a lot of very cool music, some of which gets a little exposure, a lot of which stays firmly underground, but either way, it’s fair to say that the British rock scene is alive and well and here is a little taste of what’s kicking around.

Creeper – ‘Eternity, In Your Arms’
With hooks at the ready and more than a certain panache, Southampton Goth Punks Creeper finally delivered their debut album at the end of March and it does not disappoint. The expectation surrounding these guys had been building for months and their ambition was by no means a secret, so to an extent the pressure was on, but if there was ever a band ready for the big time Will Gould and Co are it. Packed with frantic riffs, massive choruses and theatrical aplomb, they deliver quality tune after quality tune, from bombastic opener ‘Black Rain’, past old favourite ‘Misery’ and killer single ‘Hiding With Boys’, through to the totally OTT ‘I Choose To Live’, there’s never a dull moment. Whatever “it” is, Creeper have a lot of it; go check em out.

Patrons – ‘As Above, So Below’
Another debut, another British band from the alternative rock scene and another killer record. Their own blend of post hardcore and epic alt rock may not have the obvious showbiz appeal of Creeper, but what they have delivered on ‘As Above, So Below’ is equally accomplished and has an emotional depth all its own. I have been playing this record to death this last month or so and have to say that it never gets tired, the songs revealing more and more with repeated plays. Every track is well constructed, they deliver some seriously bold choruses and Danny Brooks’ vocals are nothing less than excellent. Don’t be surprised to hear a lot more from these guys.

Luke Rainsford – I Feel at Home with You
If one man singing cool tunes on an acoustic guitar is limited to that ginger guy, then maybe you should check out Luke Rainsford, he’s a very different bag of tricks. Essentially he’s a young man dealing with serious mental health issues in self deprecating fashion through his punky folky acoustic pop. He has a great ear for a melody and employs some neat little percussion moves to keep things interesting as he works through demons of depression and anxiety. It’s by no means doom and gloom though, his work is imbued with a sense of hope that is quite uplifting, despite the bare naked honesty and his, at times, downright heartbreaking lyrics. This is a record that we can all relate to, and its subtle textures and compelling conviction make for a mature, highly listenable acoustic work out.

Patrons – As Above, So Below Review

The rough and ready, post hardcore(ish) stylings of heavy rocking Plymouth quartet Patrons have more than a certain charm; their debut album making for pretty exciting fare. With well constructed songs, a variety of quality riffs and absolutely superb vocals, ‘As Above, So Below’ is further proof that the British rock scene is alive and well.

‘First of the Slow Burners’ gets off to a measured start, being aptly named as it ticks along a little mechanically, before a passionate chorus drops a cool hook to draw you in, the rough edges to Danny Brooks vocal showing a rawness that is immediately likeable. ‘Shapes in Nature’ works similarly well, with a quirky melody and a killer hard rocking chorus, which builds to a passionate heavy finale; tune.

Most of the tracks have a pretty personal feel, musing on life and relationships to great effect, whether it’s the mid paced rocker ‘Everything Matters’, or the excellent ‘The Art of Conversation’, which rolls along atmospherically until some big riffs and a passionate chorus kick it into epic rock shape.

Although they are billed as post hardcore there is plenty of variety on display, we get an air of Panic at the Disco to Eighty Four’ before they rock it up on what is another well worked tune, they then venture into seriously aggressive territory on the gutsy ‘War and Pieces’. But then there are tracks like ‘Listen’, with its sparse intro of guitar, vocal and eighties atmosphere, which slowly builds to a big chorus and a passionate finale dripping in emotion.

Without a trace of filler in sight, as debut albums go this is a pretty damn impressive record. Whether it’s on the quirky guitar lines and frantic banging chorus of ‘Army of One’, energetic rocker ‘Last of the Quick Think’ or the alt rock come down ballad ‘Dawn’, which brings things to a spectacular close, they certainly know their way around a tune.

All in all, ‘As Above, So Below’ is a mighty fine debut album that ticks all the power, energy and emotion boxes. It stands up to repeated plays and to put it in simple terms, is all killer, no filler. Good work fellas.

9/10

‘As Above, So Below’ is out as of 31st March on Rose Coloured Records. Check it out here http://www.wearepatrons.com/