What’s Hot In My House – July 2016

I am so damn busy. I mean, stupid busy, like every waking hour seems to be taken up with work or work related activities, which is no bad thing – but as a result my listening habits have been a bit, well, weird, I guess. Obviously there’s the stuff I’ve had to review, which has been OK to excellent, but there’s also been massive amounts of classical. Yes, classical, specifically Beethoven and Rachmaninoff, as it helps me concentrate when I’m translating. All my language functions get taken up by the work so I can’t possibly listen to anything with lyrics as my brain would stall, so it tends to be classical or ambient, classical’s winning that battle right now – getting old I guess! Nevertheless, my writing commitments have had me listening to some rather interesting new(ish) stuff that I find myself migrating back to on my day to day journeying around this fair city. So, here’s what’s been piping intermittently through my barely functioning headphones with the dodgy connection.

I’ve been working on a preview piece for http://www.alreadyheard.com on the upcoming Rebellion festival. It’s a largely punk affair and includes all sorts of acts with weird and wonderful names like Spunk and the Volcanic Eruptions and The Pukes, besides classic acts like Stiff Little Fingers and Buzzcocks. Anyway, excitingly, the great Dead Kennedys front man, political activist, Jello Biafra and his band The Guantanamo School of Medicine are set to hit the UK, so I have been checking out their 2013 album ‘White People and the Damage Done’. To put it bluntly, it’s fucking awesome and I keep going back for more. It’s like listening to the DKs only freshened up for this century – it’s as visceral a slice of politically charged punky hard core as you’re likely to find and Biafra’s distinct voice is as great as ever. Badass.

The debut album from Puddle Splasher, ‘Separate States’ has slowly grown on me. It has a real nineties feel to it, with a kind of Britpop grunginess not far removed from Stereophonics, only with more muscular guitars, better pop sensibilities and…ok they are way fucking better and a damn site cooler than Kelly Jones and co. Interestingly, they seem able to switch between the catchiest of pop melodies and the dirtiest of grunge, which all makes for an enjoyable listen – well worth checking out.

I’ve already talked about Evarose in the pages of Hard Pressed, but I’m finding the catchy grunge pop of these girls from Oxford unputdownable. Basically, every damn song on their album appeals on some level and the amount of earworms burrowing my brain is insane – talk about infectious. Check out their cover of Tatu‘s All the Things She Said.

In my explorations into classical music there is the stunningly beautiful ‘Spiegel im Spiegel’ composed by Arvo Pärt, which is of such sublimely compelling beauty that it never fails to move me.

Nine Cover Versions That Are Cool As

The good old cover version, you gotta love it. Some are so ill advised that they’re cringeworthy – All Saints ruination of ‘Under The Bridge’ by the Chilis immediately springing to mind – but every now and again the cover becomes more famous or respected than the original. I mean, can Bob Dylan really say ‘Knockin on Heaven’s Door’ or ‘All Along The Watchtower’ are still his songs? One strange thing about covers is that when a pop band does a rock/alternative tune, a few notable exceptions aside, it’s more often a miss than a hit, whereas the opposite tends to be true; it’s probably a credibility thing I guess. Anyway, a good cover version involves paying tribute to the original while putting just enough of a twist on it to make it your own. There have been some surprisingly awesome (unlikely) cover versions over the years and here are a handful I particularly like. Check em out.

Jane’s Addiction – Sympathy
‘Sympathy for the Devil’ is such a quintessential Stones song that it borders on the untouchable, but on their live self-titled debut album Perry Farrell and Co. pretty much nail it. Their version of Velvet Underground‘s ‘Rock n Roll flows neatly into ‘Sympathy’, which fits Farrell’s voice perfectly, his unusual vocal style giving the track an intensity way beyond the woo-hoos. Throw in the understated guitar rhythms, Dave Navarro‘s scorching soloing and the rich percussion sound of bongos and tambourines that build to the final meltdown and we have a superb version of a classic on our hands. They actually did a second version a few years ago, and although it’s beautifully arranged and is a damn cool version of the song, it lacks the passion and intensity of their original cover.

Chris Cornell – I Will Always Love You
Watch this and try to not get goose bumps.

Florence & the Machine with Dizzee Rascal – You Got The Dirtee Love
There’s only one thing better than a good cover and that’s two good covers (Ok, one and a half) in a mash up! ‘You Got The Love’ has long been Florence’s own, the ‘Candi Staton’ original barely a memory, and Dizzee’s reworking/sampling of The Adventures of Stevie V classic ‘Dirty Cash (Money Talks)’ worthy of respect, but when the two came together for this unlikely collaboration, the Brit Awards were ecstatic and a partnership formed. A few other live performances followed its release as a single, which entered the UK charts at number 2, this version from Glastonbury being nothing short of amazing. Check it out.

Mary J Blige – One
The vocal performance on Mary’s own version, not the one with U2, is so sick that she totally wipes the floor with the original. It’s got so much power and emotion that Bono sounds bland by comparison (maybe because he is).

Stereophonics – Nothing Compares 2 U
The Prince penned heart breaker originally made famous by Sinead O’Conner got dusted off and reworked by the Stereophonics for an NME/Warchild compilation back in 2002. It stays true to the original, but Kelly Jones raspy voice adds an emotional edge to this already classic break up song. Pass the tissues.

Cake – I Will Survive
This version of the Gloria Gaynor banger has got it all; funny yet stylish with its own louche cool, pure genius.

Leona Lewis – Run
Radio One’s Live Lounge has thrown up all kinds of killer performances over the years and one of the most notable is Leona Lewis’ version of Run by Snow Patrol. Leona succeeds in taking it to a whole new level. Damn that girl can sing.

Disturbed – The Sound of Silence
Oh. My. God.
How powerfully epic can you get?
Awesome.

Homeless Mustard – Creep
Left me speechless.

Eight Killer Placebo Moments

Placebo were formed in 1994 after a chance meeting on a London tube platform between Brian Molko and Stefan Olsdal, who had both previously attended the American International School in Luxembourg. Their first album was released in 1996 and in celebration of its twentieth anniversary the boys are doing a number of retrospective projects including the recent MTV Unplugged set of primarily early material. As such, it seems like as good a time as any to celebrate the work of one of my favourite alternative rock bands.

Born in the midst of Britpop and inaccurately labelled as such, Placebo have always trodden their own path, often in the face of senseless criticism, and have succeeded in amassing a consistently high quality body of work. Placebo albums are a bit like Denzil Washington‘s films, never bad.

Although ostensibly a British band, Brian was born in Belgium to an itinerant Scottish Mother and American Father, while Stefan, despite being born to Swedish parents in Sweden, also moved around a fair bit before settling in London. For me, this is one of the principal reasons for Placebo never quite fitting in, they have a multi-cultural background and a kind of rootlessness that enables them to play by their own rules.

Their sound is very much their own, not only down to Brian’s distinctive vocal, but also instrumentally; their hard edged alt rock sound, owing as much to Wedding Present as to Marc Bolan, never plays it safe and they are also not afraid to explore more atmospheric airs, regularly incorporating piano and strings. I’ve had the privilege of seeing them live just the once, at Reading in 2000, and although they put in a great performance, I had the distinct impression that headliners, the Stereophonics, were worried and made sure their volume was turned down.

Anyway, here’s a handful of songs celebrating the awesomeness of this criminally underrated band of outsiders who despite bucking trends and media hostility have managed to sell in excess of eleven million records – count em!

‘Nancy Boy’ was the first Placebo song I ever heard and in the post grunge comfort zone of overblown Britpop it was refreshingly loud and crunchy, yet had just enough pop sensibility to nag its way into my unconscious. Love the guitar sound on this version from Later with Jools.

Placebo were unaffected by “difficult second album” syndrome; following up the top 5 success of their debut with a dark brooding slab of hard edged intensity. The title track of ‘Without You I’m Nothing’ (see below), ‘Pure Morning’ and ‘Every You, Every Me’ are the obvious killer cuts from the album, but ‘Brick Shithouse’ is as hard as it’s title and ‘Scared of Girls’ has a groove vaguely reminiscent of early Cult. Check out this badass version of ‘Scared of Girls’ from their debut headline show at Brixton Academy back in 98. The action starts at about 3’50.

‘Without You I’m Nothing’ is an epically dark ballad that is superbly intense in it’s own right, but as a duet with David Bowie could not have had a better compliment paid to it.

‘Plasticine’ – love it. Rocks hard from start to finish. “Don’t forget to be the way you are.”

‘Protect me/Protege Moi’ finds Brian at his wonderfully pretentious best.

‘Battle for the Sun’ is one of the more unusual Placebo tracks, but the building intensity and insistent vocal give it a defiant urgency.

Back in December of 2008 Placebo played a unique semi acoustic set at the Angkor Wat temple in Cambodia at the beginning of the ‘Battle for the Sun’ tour. The 40m showcase is really something special with its atmospheric vibe; check out this mesmerizing version of Meds with a superb performance from the new boy on drums at the time, Steve Forrest.

Placebo has never shied away from doing a cover and ‘Sleeping with Ghosts’ saw them bring an album’s worth of B-sides and one offs together for a bonus disc that included songs by artists as diverse as Kate Bush and Darts. Their version of Where Is My Mind by the Pixies is so damn good that even Black Francis (A.K.A Frank Black) came out at the legendary Paris show to play on it. I actually get goosebumps from head to toe when I watch this.

Check out the trailer for the MTV Unplugged show here: https://www.youtube.com/watch?v=pVGrqoOxT4o